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754b2252a67894558b70e611f8a91f3d

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JoannaSansNovaW07-BlackIt

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This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com

JoannaSansNovaW07-BlackIt

Joanna is a trademark of The Monotype Corporation registered in the United States Patent and Trademark Office and may be registered in certain jurisdictions.

Monotype Imaging Inc.

Copyright 2015 The Monotype Corporation. All rights reserved.

Having recently joined Monotype in 2010, Terrance Weinzierl was studying the library of typefaces looking for ways to expand and improve on the many classic designs. Having been a fan of Eric Gills work for some time, the slab serif Joanna stood out. After initial sketches, Terrance decided to pursue a reimagining of Joanna, in a sans serif form. The update to the serif Joanna, named Joanna Nova, was picked up by Ben Jones. After nearly 3 years of research and development, the pair of families were ready to be released. Joanna Sans borrows heavily from Joanna, but takes a direction of its own. It has influences from other Gill faces, like the low contrast of Gill Sans, and the calligraphic nature of Perpetua. The scale of the body and x-height of Joanna Sans have been increased from the original Joanna, to be better suited for contemporary typographic demands. It has the varying width proportions and open aperture of a Humanists sans serif, but retains an easygoing geometric tone. The fluid details and structure of the italics can be elegant and striking, while remaining very legible.