Hash
26b68f921e8ffb0687941684c4a6d490
Name
RabenauW01-SemiboldItalic
Title
Rabenau W01 Semibold Italic
License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
UniqID
RabenauW01-SemiboldItalic
Trademark
Rabenau is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Copyright
Copyright 2011 Linotype Corp., www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype Corp. Rabenau is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Axel Bertram and Andreas Frohloff. The design may be protected in certain jurisdictions.366115
Explanation
Prof. Axel Bertram, a German graphic designer, began the development of the Rabenau typeface family during the mid-1990s. A variety of hand-lettered alphabets, which Prof. Bertram has previously designed for a number of practical applications, formed the basis for the design of Rabenau's reduced, clear, functional, and emotionally appealing characters. These included: book covers, lettering for newspapers, and magazines, and even fonts for typewriters and television screens. Rabenau is a counterpoint to contemporary typefaces, which often run quite narrow. Its design has proven itself as a solution of the setting of immersive texts, in part because of its large x-height. The moderate stroke contrast helps contribute to a balanced gray in pages of text. The Rabenau typeface's letters, which exhibit a tension between individuality and similarity, fluctuate between baroque and neoclassical styles. A vertical axis, with gently-curved bracketing, and bar-shaped serifs with slight rounding, are further contributions to design's features. Also worthy of mention are the gently swinging arcs of the letters' curves and stems, as well as the open lower counter form in the lowercase g a trait Rabenau shares with Baskerville's typefaces.The letterforms in the Rabenau typeface combine formal rigor with grace and legibility. Before the typeface was released, it was already used extensively and successfully in several book projects. Beginning in 2003, Prof. Bertram worked closely with the calligrapher and type designer Andreas Frohloff, a collaboration that helped expand Rabenau into a 16 weight family.
