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8be268216cb9357c7bb52c6d0b483bdd

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ITC Franklin Gothic LT Com

2.00; 2006

NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

FranklinGothicLTCom-DmCm

ITC Franklin Gothic is a registered trademark of International Typeface Corporation.

Linotype GmbH

Part of the digitally encoded machine readable outline data for producing the Typefaces provided is copyrighted 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This software is the property of Linotype GmbH, and may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Copyright 1995 Adobe Systems Incorporated. All Rights Reserved.

Franklin Gothic was designed by Morris Fuller Benton for the American Type Founders Company in 1903-1912. There were already many gothics in America in the early 1900s, but Benton was probably influenced by the popular German grotesks: Basic Commercial and Reform from D. Stempel AG. Early types without serifs were known by the misnomer gothic in America (grotesque in Britain and grotesk in Germany). Franklin Gothic may have been named for Benjamin Franklin, though the design has no historical relationship to that famous early American printer and statesman. Benton was a prolific designer, and he designed several other sans serif fonts, including Alternate Gothic, Lightline Gothic and News Gothic. Recognizable aspects of Franklin Gothic include the two-story a and g, subtle stroke contrast, and the thinning of round strokes as they merge into stems. The type appears dark and monotone overall, giving it a robustly modern look. Franklin Gothic is still one of the most widely used sans serifs; it's a suitable choice for newspapers, advertising and posters. ITC Franklin Gothic is a large set of fonts based on Benton's work, with two skilled artisans behind the revival and expansion. In 1980, Victor Caruso re-drew the original Franklin Gothic and designed several more weights, and in 1991, David Berlow added several condensed and compressed weights. With dozens of weights and styles, this perennial favorite is ready for duty in any situation from tight corners on printed documents to powerhouse arenas on websites. Another family with a similarly useful design is Trade Gothic.